Scrolling through selections on TCM yesterday, I picked Crime School (1938.) Humphrey Bogart who sets out to improve conditions at a reform school where the Dead End Kids were sentenced to two years.
Crime School was the second film with the Dead End Kids after the iconic Dead End. It's also a somewhat milder remake of 1933's The Mayor of Hell starring James Cagney. The following year brought yet another remake called Hell's Kitchen with Ronald Reagan and Margaret Lindsay as the reformers. One subplot in Crime School--a bad guy manipulates an inmate to discredit a reformer--is used another Bogart film, San Quentin.
I don't know if other studios remade as many films or recycled as many plots as Warner Brothers did. I remember turning on TCM once and hearing dialog I recognized from the Bette Davis film Dangerous. But it was Singapore Woman that was on TV: a remake of Dangerous set in a new locale using recycled sets from another Davis film The Letter. In They Drive by Night, Ida Lupino killed her husband using the same technique Bette Davis used in Bordertown. Both characters also went insane on the witness stand in the hero's murder trials.
The Dead End Kids made 89 films under several names:
Dead End Kids 1934-1939
Little Tough Guys (later known as Dead End Kids and Little Tough Guys 1938-1943
East Side Kids 1940-1945
Bowery Boys 1946 - 1958
I grew up watching the Bowery Boys--there are 48 films in that series.
When Crime School was released, the characters were still fresh and their environments gritty. As the various series continued, the plot lines became more and more comic.
The next film I watched was Marked Woman from 1937 starring Bette Davis and Humphrey Bogart. I've always loved this film a fictionalized version of Thomas Dewey's legal pursuit of Lucky Luciano. I can't say much more about the film than I said here. Well, there's one more thing. This could be a good candidate for a modern remake without the Hays Code restrictions. Come on, the women are prostitutes, not clip joint hostesses. Martin Scorsese, where are you?